He has a commercial drivers license.
Dance, dance, everyone look at your hands.
I'm pretty sure this was a dog recreation area, but it seemed like a good joke all the same.
I forget what shenanigans were afoot.
We are comedians, so we make jokes like this.
Lonely looking furniture on a sidewalk (parking lot?) sale.
I remember it being very sunny for winter.
Team meeting.
Wild Card! I have a couple of comparison shots to show what this scene looks like to a digital camera. I've taken some steps to try and make them look similar, but I left the film images flatter in general, and the digital ones contrastier and more saturated. This is less fair as a comparison because I'm not good at working with Ektar, and the scans aren't from the Flextight. That said, I was impressed; the digital ones stand up well against film, though the color is odd, it's easier to work with than Ektar. Less room to correct, though.
Digital (with blown highlights)
Digital (underexposed and sky painted in)
I thought this cliché would really piss off my teacher. It's pretty trite, but not that bad... pretty stockable, actually. She kind of liked it. Probably the same way I kind of like it. This was the only shot on which the color made any sense. I don't even have to check to know this was Ektar. The earlier comparison was pretty close, but this one manages to show film kicking digital's ass pretty succintly.
We were here:View Larger Map
Wild Card! Another digital comparison; make your own judgment, but for me the difference is clear, even on this miserable film stock.
A return to a popular theme: the backs of Amuse Bouche.
Colors are wonkier because of an accidental double exposure; note the bricks superimposed. I begin to wonder if maybe Ektar needs overexposure.
This is some high-volume bike parking. My photo teacher hates photos of bike racks, too. I understand why.
Magic hour; colors still off even though I tried to match the scene from memory.
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