Here is some of the color film I shot. This was my first experience with Kodak Ektar 100, a slow-speed (by today's standards) modern film based on motion picture stock, the self-proclaimed finest-grained color negative film available. It seems purplish, which I have corrected for in some cases. I removed a misfired shot that looks like it was of the ground. This is from my M645 with the 80mm 1.9. I mistakenly scanned some of these at low resolution because they looked out of focus since I didn't focus the scanner before previewing. If I get a chance, I'll try and look at an enlargement to judge those grain claims, but at that speed, it's difficult to get decent depth-of-field handheld.
Ektar 100 - 6x4.5 cm
At the apartment in which we stayed.

Near B&H Photo/Video superstore in Chelsea, NYC. Discrepancy between golden hour highlights and bluish shadows was tricky, I haven't done a very good job. This was just after I bought a lens cap, filter, and lens hood for this camera.


And here is photography of a street. With a police cruiser that I didn't see because the mirror was up. The mirror tends to stick up in the cold, which is inconvenient but innocuous.


In my excitement to rejoin my group, I apparently failed to focus on them. Focusing a lens that fast in dim light is tricky even with a microprism-spot focusing screen, at least on medium format, and focus-error is not easily forgiven. With a split-image rangefinder maybe, but I'm not a huge fan of those and this camera doesn't have one anyway.













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